Starter http://youtu.be/htu1Zco-N4I
Writing and laying out a Script/screenplay
To achieve a Merit standard for your preproduction, scripts & storyboards must use conventions of professional layouts.
Video guide: http://youtu.be/-iZHSs_Q2Ec
https://www.rawscripts.com/ on line scriptwriting layout - you will be using this
Formatting conventions stipulate layout, including spacing: Courier New is a standard font; use font size 12. The conventions allow for approximate conversion of pages to performance running time: one page of A4 script, properly formatted, converts to approximately one minute, across a full-length script. They also allow the reader to distinguish quickly between character cues, dialogue and stage/ scene directions.
https://www.writersstore.com/how-to-write-a-screenplay-a-guide-to-scriptwriting/
It is crucial to remember that film is primarily a visual medium. As a screenwriter, you must show what's happening in a story, rather than tell. A 2-page inner monologue may work well for a novel, but is the kiss of death in a script. The very nature of screenwriting is based on how to show a story on a screen, and pivotal moments can be conveyed through something as simple as a look on an actor's face. Let's take a look at what a screenplay's structure looks like.
Screenplay Elements
Below is a list of items (with definitions) that make up the screenplay format, along with indenting information. Again, screenplay software will automatically format all these elements, but a screenwriter must have a working knowledge of the definitions to know when to use each one.
Scene Heading
A scene heading is a one-line description of the location and time of day of a scene, also known as a "slugline." It should always be in CAPS.
Example: EXT. WRITERS STORE - DAY reveals that the action takes place outside The Writers Store during the daytime.
Subheader
When a new scene heading is not necessary, but some distinction needs to be made in the action, you can use a subheader. But be sure to use these sparingly, as a script full of subheaders is generally frowned upon. A good example is when there are a series of quick cuts between two locations, you would use the term INTERCUT and the scene locations.
Action
The narrative description of the events of a scene, written in the present tense. Also less commonly known as direction, visual exposition, blackstuff, description or scene direction.
Remember - only things that can be seen and heard should be included in the action.
Character
When a character is introduced, his name should be capitalized within the action. For example: The door opens and in walks LIAM, a thirty-something hipster with attitude to spare.
A character's name is CAPPED and always listed above his lines of dialogue. Minor characters may be listed without names, for example "TAXI DRIVER" or "CUSTOMER."
Dialogue
Lines of speech for each character. Dialogue format is used anytime a character is heard speaking, even for off-screen and voice-overs.
Parenthetical
A parenthetical is direction for the character, that is either attitude or action-oriented. Placed after the character's name, in parentheses
An abbreviated technical note placed after the character's name to indicate how the voice will be heard onscreen, for example, if the character is speaking as a voice-over, it would appear as LIAM (V.O.).
Transition
Transitions are film editing instructions, and generally only appear in a shooting script. Transition verbiage includes:
- CUT TO:
- DISSOLVE TO:
- SMASH CUT:
- QUICK CUT:
- FADE TO:
As a spec script writer, you should avoid using a transition unless there is no other way to indicate a story element. For example, you might need to use DISSOLVE TO: to indicate that a large amount of time has passed.
Shot
A shot tells the reader the focal point within a scene has changed. Like a transition, there's rarely a time when a spec screenwriter should insert shot directions. Once again, that's the director's job.
Examples of Shots:
- ANGLE ON --
- EXTREME CLOSE UP --
- PAN TO --
- LIAM'S POV --
